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Vine Avenue and the Black Commercial Core

Near Knoxville, Tennessee

Before urban renewal reached East Knoxville in the nineteen fifties and sixties, the corridor along Vine Avenue and Central Street was among the most complete Black economic ecosystems in East Tennessee. It had what every working community needs: doctors, lawyers, restaurants, churches, entertainment, a YMCA, and a sense of place that belonged to the people who built it.

Dr. H.M. Green opened his medical office building on East Vine Avenue in nineteen twenty-two, in a city where Black patients could only be seen in the basement of Knoxville General Hospital and were barred from three other medical facilities. The Gem Theatre on Vine hosted nationally recognized performers, including Billie Holiday. The YMCA provided civic infrastructure. The Green Book, the travel guide that helped Black motorists navigate a segregated country, listed Vine Avenue businesses as safe stops.

In nineteen nineteen, when the Red Summer riot broke and National Guard troops fired into Black neighborhoods, residents in this corridor armed themselves and barricaded the Vine and Central intersection. They held it. The neighborhood was defending itself because it had something worth defending.

Beginning in the late nineteen fifties, the city used federal urban renewal funds to systematically clear this geography. The stated rationale was slum clearance and infrastructure improvement. The documented outcome was the demolition of more than five hundred homes, fifteen churches, and over one hundred Black-owned businesses in the corridor. Dr. Green's medical building was among them. The YMCA relocated. The Gem Theatre closed. The corridor did not recover.

Urban renewal moved through a great many American cities in those decades and produced similar outcomes with similar rationales. Knoxville was not exceptional in what it did; it was typical. The exceptionalism was in what was lost, which was specific and irreplaceable, and in the near-total absence of that loss from the civic narrative that most Knoxville visitors encounter.

Sources (4)
Map of Tennessee with this story marked